A family business, Vitra’s history began when founders Willi and Erika Fehlbaum discovered the chairs designed by Charles & Ray Eames on a trip to the USA, and from then on formed a long and friendly relationship. One thing led to another, and the company went on to sign some of the greatest iconic creations: Vitra helped write the history of 20th-century design.
Now legendary, the publishing house treats classics as contemporary products from another era, exciting us as if we were there for the first time.
The spotlight is on auteur design, shaping your interior with furniture made to last.
At Vitra, eco-responsibility is not a matter of intention, but of action. Each piece of furniture is designed to last, to be repaired and to be passed on. From the selection of materials to logistics, the brand adopts a global approach that combines innovation, transparency and circularity. A concrete commitment, structured around three pillars.
With the return of fine weather, windows open and fresh air circulates through the house once again. Balconies, terraces and gardens once again become meeting places, spaces where we like to gather as soon as the light softens. Family meals, work sessions in the sun, quiet reading or a simple moment of relaxation: spring invites us to reinvent our daily lives outside, without ever giving up comfort.
To accompany this transition, Vitra revisits its great classics, highlights its latest designs and dresses its pieces in fresher colors. A way of rediscovering chairs that seem familiar… while subtly renewing the look of a space, right from the first glance.
The great classics evolve smoothly, without ever betraying their original silhouette. The Eames Shell Chairs, now enhanced with the iconic The FondaThis new range brings a sculptural presence to the table, indoors and out. In the same vein, colors gain in freshness and accompany the fine weather: luminous, vibrant, they interact with natural light and breathe new energy into already familiar shapes.
Alongside them, the Eames low armchair is the perfect ally for changing spaces: easy to move, it follows the day, from reading corner to balcony, from living room to terrace.
At a time when well-sourced, well-thought-out objects are becoming more and more expensive, Vitra is opening this season with a strong gesture to democratize the Eames collections with a price cut: the same quality for a new accessibility.
Timeless icons are also present: on its designer’s 100th birthday, the fluid Panton Chair asserts its audacity, while models by Jean Prouvé celebrate the balance between constructive rigor and essential elegance.
Finally, contemporary lines complete the spring scene: the Belleville chair, graphic and light, and the Tip Ton chair, recognizable by its forward tilt, illustrate this Vitra signature: combining innovation, comfort and modernity, without losing sight of timelessness.
"The same quality for new accessibility."
At Vitra, Eames chairs are distinguished by a fundamental principle: one shell, several frame architectures. This modularity, conceived as early as the 1950s by Charles & Ray Eames, enables the seat to be adapted to a variety of uses while subtly transforming its silhouette.
The welded-wire base – often nicknamed the “Eiffel Tower” – expresses remarkable technical virtuosity. Its interlacing metalwork creates a structure that is both stable and visually light, particularly striking on the Wire Chair DKLwhose transparency is a dialogue with space. The more sober four-legged base asserts a rational, functional presence, ideal around a table. The wooden versions, meanwhile, introduce a more organic dimension, playing on the contrast between industrial modernity and domestic warmth.
Vitra’s latest development, the Fonda base. La Fonda enriches the collection with a more statutory base. Resized for contemporary table heights, it offers an elegant, structured seat, reinterpreting the Eames heritage with a perfectly contemporary aptness.
As soon as spring arrives, the boundaries between indoors and outdoors become blurred. The Vitra outdoor collections create a continuous space. Vitra sees the home as a personal collage, reflecting the personality of its inhabitants. To enrich the convivial experience, tables, chairs and accessories, combined with delicious food and a beautiful table arrangement, create a warm atmosphere where guests can enjoy the long summer evenings.
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At Vitra, innovation also means rethinking materials. The brand has embarked on a genuine shift in favor of more sustainable materials, derived from the circular economy or designed to limit their impact.
Plastic, a major environmental issue, is now systematically recycled post-consumer, whether from domestic or industrial waste. Finishes follow the same high standards: the lacquers used are water- or powder-based, with no solvents or toxic emissions, to preserve air quality and limit volatile compounds. Leather is selected according to strict criteria: chrome-free vegetable tanning, natural dyes, and recycling of scraps, which are reused in everyday objects. Textiles, meanwhile, are favored when made from natural or renewable fibers, such as wool or cotton.
Finally, in partnership with BASF, Vitra has developed an innovative foam, V-foam: 100% recyclable, it is gradually replacing conventional foams in upholstery, without compromising comfort or durability.
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At Vitra, each piece of furniture is accompanied by precise information on its origin, composition and impact. Thanks to environmental passports, it is now possible to find out the origin of materials, their recyclability, the carbon footprint associated with each phase of the life cycle, and the types of packaging used.
Today,97% ofmaterials are sourcedin Europe, mainly in Germany, Italy and Poland. This choice reinforces traceability, reduces transport distances and guarantees production that is more consistent with today’s challenges.
Vitra also pays particular attention to the woods it uses. In addition to oak and ash, the brand is now introducing species such as cherry, chestnut and walnut from sustainably managed European forests. Veneers, particularly those used for the emblematic pieces in the Eames collection, benefit from this rigorous selection.
An approach based on clarity, enabling everyone to make a purchase with confidence.
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At Vitra, design is not ephemeral. It’s designed to stay with you for a long time, to adapt to your everyday life, and to last through the years without losing its beauty. It all starts at the design stage, where each product is designed to be repairable, removable and upgradeable. Covers are removable, washable or replaceable. Spare parts remain accessible, and structures are assembled without glue or lamination, to facilitate maintenance and recycling.
This principle applies equally to seats and sofas, such as Suita or Polder, designed to evolve over time. And to take things a step further, Vitra now offers Re-Place: a refurbishing service that allows you to have your furniture renovated, change the coverings, or simply give it a second life. A concrete approach to circular design, combining style, functionality and ecological awareness.
The first in the Vitra catalog to be updated, the Eames collection opens a new chapter in the history of the brand’s classics. In close collaboration with the Eames family, this reinterpretation adjusts iconic models to today’s uses and sensibilities.
New materials include the introduction of new European wood species – cherry, chestnut and walnut – to enrich the existing palette, enhanced by natural matte or satin finishes that reveal the texture and grain of the wood. In the same vein, leather is now offered in a chrome-free, vegetable-tanned version, for a more authentic feel and elegant aging. The color palette has also been revisited, with hues such as Sky Blue, Sea Foam Green and Red Orange, directly inspired by the archives of Charles and Ray Eames. Emblematic pieces such as the Hang it all, theEames House Bird and the Lounge Chair have been given a new graphic lease of life.
Last but not least, this update continues the adjustments already underway: an enlarged version of the Lounge Chair, new heights for the Shell Chairs, recycled shells for the Plastic Chairs, and the return of the Fiberglass Chairs, reissued thanks to an innovative process that recovers the original shades of this collection, discontinued in 1990. All subtle updates that preserve the spirit of the Eames while projecting it into the present.
Vitra opens the doors to two inspiring interiors where design meets the art of living. Lhe iconic publisher celebrates the warmth of lived-in homes, where furniture becomes the reflection of a personal story. Two worlds, two sensibilities, but the same philosophy: that of sincere, authentic and functional design, supported by Vitra creations. Vitra. Between heritage and contemporaneity, these Home Stories remind us that a successful interior isn’t just about not just a question of harmony, gesture and life.
At the edge of the forest, Vera Köller and Lukas Cober have given new life to an old miner’s house in Belgium. Together, they have fashioned an interior in their own image: radical, sensory and deeply rooted in matter. Here, concrete rubs shoulders with raw wood, polished surfaces respond to the shifting shadows of outdoor foliage. Between craftsmanship and design, every detail reflects a quest for authenticity.
The surgeon and artist-designer have conceived their home as a living studio. Nothing is static: walls breathe, objects interact, time sculpts volumes. Vitra pieces – a Standard chair by Jean Prouvé, a Colour Frame mirror by Julie Richoz – slip in seamlessly, extending this language of handmade craftsmanship and poetic functionality. For Lukas, “making something” always means working with his hands; for Vera, it’s about living with awareness. Together, they cultivate a warm minimalism, where every imperfection becomes beauty.
In their Brussels home, Swedish photographer Martina Bjorn and architect David Van Severen have created a singular universe where the charm of Beaux-Arts moldings meets the precision of contemporary design. This century-old former office, transformed into a family retreat, exudes serenity and generosity. Through the interplay of volumes, light stretches across the parquet floors, caresses the Vitra furniture and reveals a subtle balance between heritage and creation.
For the couple, living means telling a story. The furniture, chosen with intuition, blends with works by friends and objects gleaned from travels. Here, nothing is left to chance: each piece embodies a gesture, an intention, an emotion. The Lounge Chair and Coconut Chair are a natural part of this intimate scenography, where beauty is never decorative, but lived in everyday life. Their home, like their approach to design, rejects contrast in favor of harmony – the harmony of a home conceived as an archipelago of memories and living materials.
A model of comfort and flexibility adapted to our modern families, the Vitra living room embodies an art of living where elegance is sublimated by the great classics and contemporary creations. From the iconic Lounge Chair and Lounge Chair & Ottoman footrest set to the Prismatic metal coffee table inspired by traditional Japanese paper-folding techniques, Vitra design invites itself into our interiors.
Designed to be practical, ergonomic and welcoming, Vitra’s desk and office chair collections create furnishings with a strong personality that influence our motivation and creativity. Whether your home office is in the living room, the kitchen or a dedicated room, Vitra ergonomics combine with design for maximum comfort.
Vitra invites us to rethink our furnishings and find new inspiration. The Swiss manufacturer is offering two new collections designed to revolutionize the home office. Created respectively by designers Erwan and Ronan Bouroullec, the Mynt armchair and Courier desk seduce with their timeless allure and ingenious design.
Whether meeting at a sunny kitchen table or taking a break on a leafy veranda, working from home is in tune with every season.
With Courier, Vitra offers a pure vision of the contemporary office. Designed by Ronan Bouroullec, this desk goes straight to the essentials: a slim wooden surface, supported by an injected aluminum base. Its minimalist design, conceived as a “naked solution”, offers just enough space to work comfortably – ideal for a computer, documents or a few books.
Viewed from the side, its silhouette evokes the subtle curves of a serif letter, a nod to the famous Courier font from which it takes its name. Between typographic reference and aesthetic rigor, this desk combines simplicity and refinement.
Designed to complement both private interiors and workspaces, Courier seduces with its balance of functionality and elegance. Its laminated wood top, available in natural or dark shades, and sturdy aluminum base give it a timeless appeal.
Lightweight and versatile, it’s at home anywhere, from the home office to professional environments. Vitra reaffirms its commitment to functional, durable design. More than a desk, Courier is a piece designed to stand the test of time, adapting to the demands of everyday life.
"The movement defined the aesthetics of the seat."
Vitra reinvents contemporary seating by fusing minimalist design with ergonomic performance. Conceived by renowned designer Erwan Bouroullec, Mynt is designed to accompany every moment of everyday life: working, sharing a meal or simply taking a moment to yourself.
With its sleek, welcoming silhouette, Mynt stands out for its innovative approach to comfort. Its patented mechanism adapts to the user’s movements, offering unprecedented freedom. Activated by body weight, the seat reclines independently of the backrest as the user’s position changes.
Designed to last, the new armchair from the Swiss manufacturer favors responsible design: each component can be replaced, prolonging its lifespan while reducing its environmental impact.
Discover this Vitra novelty that redefines dynamic seating!
Vitra
Mynt armchair
VITRA
Chaise Panton Chair white plastic / By Verner Panton, 1959
Vitra
Uten.Silo I RE wall-mounted storage unit
Choosing the original means choosing durability, and a design that retains its value and stays with you for the rest of your life. The realization of an ingenious idea, devoid of superfluous details, and infinitely thought through and optimized to respond to transgenerational issues, let’s start by introducing you to the great Vitra classics!
Vitra maintains a close relationship with its designers. It’s a co-creative work that is honored through each original. Initiated by the friendship between Vitra founder Willi Fehlbaum and the legendary Charles & Ray Eames, the publishing house pays close attention to the designers’ creative desires, transcending them to create projects that will live on. The most striking example is the Panton chair, a real challenge considered impossible to realize in 1950, and which, 17 years later, was an immediate success! Design d’auteur.
Jean Prouvé
Charles & Ray Eames
Ronan & Erwan Bouroullec
Jasper Morrison
Hella Jongerius
Verner Panton
Barber & Osgerby
Antonio Citterio
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Not subject to trends, Vitra furniture is handed down from one generation to the next. This durability is a major focus of the meticulous development of each product. The publishing house takes the time to consider all parameters, from materials to recycling, repair and packaging. The result is furniture that stands the test of time.
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The Vitra Design Museum’s new collections of major works provide a scientific overview of the international and historical spectrum of design. Linked to artistic and applied disciplines, Vitra is committed to transmitting knowledge and positions through architecture, exhibitions, publications and workshops. Design lovers beware!
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Consisting of several buildings, the Vitra Campus aims to promote the essential functions of design, as a witness to and player in the evolution of our societies. The greatest architects have worked here: from Jean Prouvé and Frank Gehry to Tadao Ando and Zaha Hadid. A multi-faceted experience in design, architecture, art and nature, the site expresses Vitra’s commitment to education. An opportunity to admire the iconic collections of the Vitra Design Museum.
On October 9 and 10, our PRO team took part in the 11th Rendez-vous de la matière Forma. A not-to-be-missed event that brings together architects, designers and specifiers to discuss creativity, innovation and know-how.
For this year’s show, Made In Design PRO teamed up with Vitra to furnish the lounge and dining area with a curation of Seconde Vie items.
A privileged partnership that highlights a relevant service for professionals.
The Vitra catalog features iconic design pieces by renowned designers such as Charles and Ray Eames, Antonio Citterio, Jean Prouvé and Jasper Morrison. Among the most iconic pieces are the Lounge Chair & Ottoman by the Eames, the Panton chair and the Grand Repos by Antonio Citterio.
Charles and Ray Eames chairs are Vitra design icons, and their popularity has led to the production of many counterfeits. To buy a genuine Charles Eames Vitra chair, we recommend authorized dealers such as Made In Design.
An original chair always bears the Vitra signature and, for recent models, a certificate of authenticity. You can also check the quality of the materials: Vitra uses top-of-the-range materials and respects the original production standards. In fact, the Swiss manufacturer is the only one authorized to produce these models in Europe. The comfort, finish and sturdiness of Vitra products are unmatched by copies.
The Vitra Design Museum, located in Weil am Rhein, Germany, is one of the world’s most influential design museums. It explores the history and evolution of Vitra design through exhibitions dedicated to furniture, architecture and the visual arts. Its main building, designed by architect Frank Gehry, houses collections showcasing the creations of iconic designers such as Charles and Ray Eames, Antonio Citterio and Verner Panton.
The museum offers temporary exhibitions that explore the impact of design on our everyday lives, addressing themes such as technological innovation, sustainability and new aesthetic trends. In addition to exhibitions, Vitra’s activities include lectures, workshops and guided tours to deepen understanding of design.
Thanks to its collaborations with institutions around the world, the Vitra Design Museum enriches its cultural program and disseminates its collections internationally. If you’re passionate about design or architecture, a visit to Weil am Rhein is a must.
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